Story Is Uncomplicated

Story...

There is something profoundly inspiring in simplicity.

Life is rarely simple, but as humans our goals and missions are simple.

We do not complicate our desires.

It is either that we want something or we do not want it.

A story is the path from the conception of that desire to its fulfillment in reality.

It may take one minute, one hour, or many lifetimes to come to the conclusion of that desire, but what happens in the bracket of time until the desire is fulfilled is a story.

Watercolor Show

Painting Out

Blacklick Metro Park, Reynoldsburg, OH

There is nothing I enjoy more than painting outside, especially in a park or distant wooded place. Exploration is the key. I explore physically and then explore artistically.

Tonight at 6:30 pm I will be the showcased artist for an art demonstration of the above photo at cafe International. It's a great place to try a variety of cultural flavors and enjoy the creative atmosphere. 

Here is their address: 2361 North High Street, Columbus, Ohio 43202

I hope to see you there!

Before

Pulling from different sources for education and inspiration is a good thing.

However, there comes a time when you must make your statement by acknowledging your own strengths and weaknesses.

Being Teachable: God

Preaching is not necessary on this point. If we want to be more like God, we have to learn to weather the trials of life that God sends us.

You can work your whole life toward some supposed level of perfection and never achieve it. We are not that good. 

But when we set our eyes on being righteous (separate in our minds and attitudes) then we move toward being more like God.

For any creative person this lets us be more in touch with the reality of which we interpret. When we offer ourselves up to be more like God we will have our vision changed.

The ways this change of vision helps us as creatives are this:

• Connection with the suffering people around us
• The challenge of starting over brand new
• New opportunities realized
• Humility beyond belief
• Working with what is available
• Depending on God for what we do not have

Do you see a connection between your creativity and being taught by God? What is your story?
 

   

Short Hand Of Truth

I have heard it said that in order for there to be the most truth in a piece of art, you have to extract the most details.  That is why fairytales, Bible stories, classic art, political cartoons, pop songs, dance moves, plays, and mainstream movies hold such sway over the culture. That is not to say that all of the above always maintain the integrity of their message, but that they are a superior form to delivering one in some form or fashion.

Sure the above piece is a ridiculous scenario. Most editorial or political or op-ed comics are. Whether it's Obama as a mere stick figure or Bush as a monkey, it is a short hand for getting the point across. Whenever necessary the artist must practice this short hand.

Some of the basic components of a visual short hand that I have discovered are as follows:
1. On objects and products leave out as many unnecessary details as possible
2. Choose recognizable objects
3. Create easy repeatable characters (made of simple shapes)
4. If you're working with text, make it short and to the point as much as possible
5. Compose, so that your eye follows the action
6. Keep your style secondary to the message
7. Focus on rendering accurate human expressions on your characters

As always, I encourage my readers to explore and find more ways to deliver the message with simplicity and directness. Let me know if you have some things that work for you. I will be glad to talk about it here.

Destinations Unlimited

On the path to discovery I have found that questions accumulate more than answers. With God in charge there is rarely a dull moment. There is frequently a new adventure around the next corner. There will always be mysteries and growth that come with the territory.

I wish I could say that after 4 years studying illustration plus 9 more of life experience, that I have it figured out. I wish I could say that everything in my life is perfectly in sync and that the answers are just ahead. Rarely does one door lead to a comfortable room, but rather a big room with many other doors. Some are eternally locked, thank God, and some are for opening. Knowing which ones I should pass through always give me a difficult time.


When it comes to creativity I have learned that every little limitation has its perks. Every eventual problem has an insightful unique answer. The more that I accept it and use it, the more of an advantage I find. So the next step is always being willing to try the next door. 


Our destinations are unlimited. The best way to see the opportunities is to trust an immeasurably wise God who knows where each door leads and which ones lead to a places that are better left untouched. And beyond that limitation know that every other choice is a mystery worth adventuring in to. So, our mission is always to trust God or succumb to stagnation? Which one would you choose?

Puzzled

I have a weakness for good science fiction and fantasy illustration. You could say it is a driving force that keeps me creating. Seeing fantastic things that never existed or imagining things that may someday exist is very compelling.This blog entry is connected to IllustrationFriday.com.

This is your introduction into my love for illustration. Occasionally I have shown you my quick sketches or sketch book entries. This is actually the first time I have brought up my illustration background in this blog. It is really no different than a watercolor painting, a comic strip, or even a one panel humor bit. All employ my creativity, but engage me in different ways. I will share with you some brief insights into what illustration is about. Perhaps you can use this knowledge when you create as well.

Illustration Is Art.
Much to my dismay many people want to compare the proper fine art to that of commercial art. Both have the same agenda, to make money for the creator. The only difference is the way they are sold. Sometimes the "fine artist" has less freedom than the illustrator. It all depends on intent.

Illustration Is About The Story.
Illustration on its own may or may not communicate the message it is intended to share with the world. With the back story, illustration will thrive. It is about the narrative.

Illustration Is Found Outside of Commercial Art.
You could say that classic art, especially oil paintings and sculpture, are examples of illustration. They fit the narrative mold. Many folk artists who only created art because it was an itch they had to scratch also narrated stories through their art.

Illustration Has a Decipherable Message.
Unlike conceptual art of the modern and post-modern era, illustration has one purpose alone--the message. If it is not communicated clearly, it may still be art, but it is not an illustration.  

Illustration Has a Diversity of Styles.
There is no set style to illustration. It has changed and grown over the years. Materials have changed along with technology that allows you to make sleeker art, but the media was never the focus. The message was central.

Illustration Has a Diversity of Applications.
Illustration as I said above can be found outside of commercial art. It is also applied to everything from movie animatics to comic strips to how-to books and even toys. As an artform illustration is very flexible.

Conclusion.
Though far from exhaustive, this list above represents the major points on what illustration is about. Perhaps when you look at a book cover or Greek statue or any other message baring image you will think differently about what the story is behind it.

The City Scene

Discovery is the best way to fuel your imagination. If you see something new or the same old things in a new light you propel yourself forward. Change happens in you and then innovation!

Daily I put this into practice in some aspect of my art. Sometimes its a process, a technique, an area of study, or a tool. 

The City Scene 3 represents a  still life practice that I use often. I need to learn perspective, so I set up a scenario that allows me to see it with my own eyes instead of guessing. When I set up these scenes I try to do something alien and unique with similar objects that  you could find around the house. I chose the China Marker because of its proximity to pastel and charcoal. It can bear some semblance to a black and white photo if used the right way. In particular, value was very important to this drawing. 

Be bold and try a different media, process, or subject matter. Be brazen and open to change. I guarantee you will see something new.

7 Day Work Week

Hopefully, I won't have to do this again. It's easy to enter the week optimistically, but dreadful if you think about the fact that you have no weekend. I wouldn't recommend this lifestyle to anyone.

The High Knight

As the storyteller you have a great capacity to invent. Given a protagonist and a conflict a great deal of interesting topics can arise between the beginning and the end.

What fire sparks your imagination? What sort of peril would this knight save a fair damsel from? Would he fight dragons or does he just tell the narrator stories as he sits on the mantel on cold rainy nights?

Take a couple of minutes and view the full piece on my fine art site: "The High Knight". Fill your imagination with what if's. Let me know what you came up with.

V Is For Verone: Part 2

Instead of giving up he strived one more time to make eye contact with someone, anyone. There huddled in the inner ring was the prettiest little girl he had ever seen. She looked up and in the darkness her eyes sparkled. A spot of passion reflected from the meager fire. Her eyes read him from toe to head.

“There is a place for you by the fire.” She murmured, and then she opened up a her blanket to reveal a vest.

Then the circle broke for him to come through. As the boy reached the far end where a path formed, he went to sit next to her.

“Who are you?” She asked.

“I-I am Verone, a Romani like you.”

“Well then, this vest was meant for you.”

“What do you mean?”

“You see the 'V' stitched into the two portions in the front of the vest and the 'V's' making the Romani wheel on the back.”

“Yes.”

“I stitched this for my father last summer.”

“Why are you giving it to me? Where is he?”

“He died tragically a year ago, about this time.”Verone was dumbfounded. She smiled gingerly and gently handed it to him.

“His name was Viktor. And I am finished with my mourning just today at breakfast. I was told that I must find another man to fill his vest.”

“I am not a man. This vest is for a big man. Maybe better suited for a bear...I don't know.”

She giggled and then responded,“Do not worry Verone, you will one day grow into this.”

The fire died by early morning and the chill returned. Verone saw that the clan had already moved on and he was the only one left in the cave. The extra large vest was still around him. He was huddled into it. Today, the young thief had to reach his clan. He hastily jumped up with the vest still around him. He looked about the cave for anyone or any sign of the little girl, then Verone climbed back up through the crevice. He ran down the pass.

What would his future be, he thought? Then, he passed a small camp site. The hikers had their bag on mounted on a tree. Verone walked slowly up to the bag and grabbed some food out of it. The boy ate some of the bread and fruit and cold meat as he hurried to tell his family about his wonderful blessing.

Value Composition

Part of the process of producing a comic page is laying it out. Almost all professional comic book artists use some method of figuring out where all of their dark and light areas go on the page before applying any ink or drawing it up.

After realizing that I had not planned my inking out very well a friend suggested this method of blocking in the dark and light values before going to ink. I have chosen the traditional inking method entailing brush and dip pens, because the blacks are much more potent, permanent, and versatile than using technical pens, ball point pens, and Adobe programs.

My method of blocking in value is to scan in the page in its penciled state, scale it down to the actual page size, print it on gray paper, then use black and white pastel to find the best possible scenario for the values of the page. I have to seriously consider the light source when I do this. Typically when you are working with just lines it is more difficult to consider some of these things ahead of time. Back tracking with this method has helped me think ahead on future pages.