Simplicity 1

I once wrote a blog post about the limited palette approach to creating art: Royal Colors.

The day that I started using a limited palette was the day that I started getting watercolor and color usage in general.  

~Royal Colors blog post

The City Scene

Discovery is the best way to fuel your imagination. If you see something new or the same old things in a new light you propel yourself forward. Change happens in you and then innovation!

Daily I put this into practice in some aspect of my art. Sometimes its a process, a technique, an area of study, or a tool. 

The City Scene 3 represents a  still life practice that I use often. I need to learn perspective, so I set up a scenario that allows me to see it with my own eyes instead of guessing. When I set up these scenes I try to do something alien and unique with similar objects that  you could find around the house. I chose the China Marker because of its proximity to pastel and charcoal. It can bear some semblance to a black and white photo if used the right way. In particular, value was very important to this drawing. 

Be bold and try a different media, process, or subject matter. Be brazen and open to change. I guarantee you will see something new.

Watercolor: King Of Paints

There are in fact few media that compare to the versatility of watercolor. It is not just versatile because it is a water-based media. It is versatile because there is little to transport. With oil paints and acrylic usually an easel is necessary. With watercolor you can easily set your watercolor board on your lap or a table or desk.

If you like chunky paint you can go to acrylic (which is cheaper than oil paint), gouache (though, technically a variation of watercolor), or oil paint (which is the king of chunky). But they all have there set backs. Though, you may not be able to carve or sculpt the paint like oil, create density like gouache, or have the quick-dry, easy-cover ability of acrylic; you can have a little of all three with less mess and perhaps less frustration.

I am not necessarily expecting any converts here. Everybody is inclined to their own opinions on what media best suits them. Believe me, I have left out a lot of other media. I have left out, especially dry media-pencils, pastels, chalk, and many others. I enjoy them all. But watercolor does give a lot back. It is forgiving in the layering area, but unforgiving in subtraction. It works well when thrown in the mixed media pool, but it can stand alone. Though, it is easier to be more expressive, it also permits rigidness for portraiture and technical paintings. In fact, as a media it is embraced equally by commercial and fine artists. Though, I am sure neither party agrees on what the other truly is.

The challenge of the week is to try watercolor. If it is your first time, you can be bold and try something abstract. But there is no shame in picking up a book or magazine on the subject. From time to time, I still do and I have been at it for 10 years. It is a great way to learn new processes. When you take my challenge please post it on your blog, website, or portfolio site and send me a link. I would like to see it.

Come back next week for STORYTIME.

V Is For Verone: Part 1

Who is Verone and where did he come from? And why does he have that "V" on his vest? In this two part story I present a little back story to "The Course".

As the cold winter wind broke through the mountains in some unnamed highlands of Eastern Europe a young gypsy thief ran and took refuge under the cliff. His clan had moved on a day ahead and he was seeking to survive.  Little did he know, there was a gypsy clan who had already taken refuge in the cave. He could smell the cooking stew, probably made from a mountain goat or some poor farmers stray cow.

The boy entered the narrow passage way under the overhang. There before him were several small families hunched together around several fires. They barely acknowledged him as he came down the crevice through an awkward rock path. The boy circled the first fire and no one made eye contact. They were concentrating too much on being warm or they just didn't care. He circled the second one and no one even moved. At the third fire the the boy was desperate. If he could not find solace here he would likely freeze to death if he tried to go on. Though, the stew smelled heavenly, he could endure the hunger. He had done that before. It was warmth and rest he longed for.

Child-like Curiosity

If only it were just that simple to revert back to the playful habits of being age 5 again. Both Picasso and Klee attempted with mixed results. Today I posted a some simple art under Experimental Art which is just plain fun. No worry about composition, the right color combinations, or rendering abilities. Enjoy.