The City Scene

Discovery is the best way to fuel your imagination. If you see something new or the same old things in a new light you propel yourself forward. Change happens in you and then innovation!

Daily I put this into practice in some aspect of my art. Sometimes its a process, a technique, an area of study, or a tool. 

The City Scene 3 represents a  still life practice that I use often. I need to learn perspective, so I set up a scenario that allows me to see it with my own eyes instead of guessing. When I set up these scenes I try to do something alien and unique with similar objects that  you could find around the house. I chose the China Marker because of its proximity to pastel and charcoal. It can bear some semblance to a black and white photo if used the right way. In particular, value was very important to this drawing. 

Be bold and try a different media, process, or subject matter. Be brazen and open to change. I guarantee you will see something new.

Inquire Within, Part 1: God And Imagination

This is when it is hard to see God. When it seems as if you can't see beyond your troubles. In spite of the blessings you are in the midst of, it is difficult to see the end.

The dessert is like that. You go for miles in the stark landscape. You hope for an oasis, but because its so difficult to tell what direction you're actually going at times you lose hope quickly.

This is when we need our imaginations. This is when it is important to bow low. This is when we need to submit to our Heavenly Father. He is the author of all creation. And what we need to get through adversity are our dreams, visions, and imagination. All of these hardships are fuel for our imaginations.

Click this to see the painting: Passage

These are the times that the unseen things benefit us. I often paint with a limited palette. When I put down paint and attempt to show detail and shape and value, I am challenged to do it without all of the possibilities afforded me by a full range of colors. But this practice of depending on the unknown has allowed me to create some amazing paintings with unique feels and atmospheres.

When we come to a point where revelations of God's goodness intersect our day to day life we experience Exempla Vitae moments. This is the Art of Living Story. The times when we are able to learn through doing or learn through remembering. From this lesson learned a remarkable thing happens: We have a new story to tell. Some tell their story through words, some through music or dance, some through performance or building, yet others do so by imagery. I am one of those who uses imagery, but more specifically cartooning.

As a cartoonist I am constantly expanding my visual and written vocabulary. This blog is an expression of that. My thoughts and experiments are often expressed with sequential art or imagery, but they do have broader applications.  I believe you will be able to experience creativity in a new way by taking advantage of the challenges. My challenges stem from the good I have experienced in my relationship with Jesus, and you should seek Him to take full advantage of all the good that you experience.

What is it you are having a difficult time with? What are your current limitations? What do you have at your disposal? Challenge- Try a project with fewer options. Take away what you are comfortable with and create with what remains.

Chunky Paint

Chunky paint is the medium that bridges the gap between india ink and regular water media such as acrylic, gouache, and water color. If you paint with these media with any regularity you would understand the commonality and therefore the benefits of bouncing from one to the other from time to time. The learning curve is immense and there is almost always something new to learn.

In Little Tree I tested illustration board for its ability to hold watercolor. This is in fact a value study in burnt sienna, but it is also a finished piece. I will boldly proclaim that because it can handle no more detail and it is unnecessary because everything will get lost. Follow the Little Tree link to my Deviant Art page to see the full painting.

On a cloudy day I sought out nature to inspire me to spring board me into my comic drawing stage of the day I came up with this painting and three blind drawings before it. The first 2 of the Painted Flowers series are held in my Experimental Art page.

Blind drawing is an interesting process. It is not blind in the sense that you use only your hearing and feeling senses to detect shape and form. But for the artist it is the opposite. You see with your eyes, but feel the paper/board with your pencil or brush. In effect, you let media feel the contours of the physical object without actually seeing the the page. It always has surprising results and pushes the artist to the next level.

Value Composition

Part of the process of producing a comic page is laying it out. Almost all professional comic book artists use some method of figuring out where all of their dark and light areas go on the page before applying any ink or drawing it up.

After realizing that I had not planned my inking out very well a friend suggested this method of blocking in the dark and light values before going to ink. I have chosen the traditional inking method entailing brush and dip pens, because the blacks are much more potent, permanent, and versatile than using technical pens, ball point pens, and Adobe programs.

My method of blocking in value is to scan in the page in its penciled state, scale it down to the actual page size, print it on gray paper, then use black and white pastel to find the best possible scenario for the values of the page. I have to seriously consider the light source when I do this. Typically when you are working with just lines it is more difficult to consider some of these things ahead of time. Back tracking with this method has helped me think ahead on future pages.